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When using bold commands in these cases-such as applying bold to Warnock Semibold-nothing happens. Often, there simply aren’t any such prescribed links among some fonts within a single family. ![]() But applying the same command to Adobe Garamond gives you Semibold. Here, two Adobe font families containing the same weights behave in two different ways.įigure 2: Applying the bold command to Adobe Warnock gets you Warnock Bold, jumping over the semibold weight. Many fonts from large families that have been sold in partial-family subsets like this are prone to such inconsistencies.įigure 2 shows another example of the unpredictability of the results of using the bold command. How these fonts have been marketed, then, has had an influence on how the bold command works for individual faces, at the expense of a holistic approach that takes the entire family into consideration. Applying the bold command to Gill Sans Book yields Gill Sans Heavy and vice versa. In addition to the six-member set shown in Figure 1, Monotype has also sold a four-face package of Gill Sans fonts consisting of Book and Heavy and their italics. For example, although they’re sold individually now, members of Monotype’s Gill Sans family have also been sold in subsets, and the weight relationships are often logical only within these sets. In addition, those weight relationships-what becomes what-often vary by no logic other than how vendors have packaged sets of fonts for sale together. More after the jump! Continue reading below↓įree and Premium members see fewer ads! Sign up and log-in today.Īs Figure 1 shows, the results of the command are dictated by the relationships among weights as defined in the fonts, not by any retained memory of how now-bold type once looked. Applying the same command to Bold text, though, does not act as a simple toggle: the text will be switched to Regular, even though it may have started out as Light before the bold command was first used on it. Here, applying the bold command to non-Bold text-either Light or Regular-makes that text Bold.įigure 1: Using the bold command-indicated here by (+B)-on either the Light or Regular weight of Monotype Gill Sans applies the Bold font to the type. #Helvetica neue bold keeps showing asterisks in illustrator license#It’s quite conceivable, then, that two manufacturers can license the same type design from, say, ITC, and create font families whose members behave differently when the bold and italic commands are applied to them.įigure 1 shows a situation typical in an extended but not extensive font family. These definitions dictate how bold and italic commands will affect type formatted with each family member. #Helvetica neue bold keeps showing asterisks in illustrator code#How and when the bold and italic commands work depends on how a font manufacturer has defined the relationships among members of a font family, and these definitions are written into the code of every typeface in the family. Should using the command on Light make the type Regular weight? Should using it on Semibold create Bold? How about switching between Bold and Extra Bold, or between Extra Bold and Black? There’s no way to know in advance how a particular family will behave. The problem is that there is no industry standard for defining what these commands mean-bold compared to what?-and their results vary from family to family and foundry to foundry. ![]() But in “extended” families, all bets are off, especially when you use them to shift between weights. When you’re using a “nuclear” font family-one consisting of just four members: roman, italic, bold roman, and bold italic-using keyboard commands to shift among them always works. But while that automatic finger twitch produces predictable results for the first two of these, toggling into and out of bold can lead you to unexpected places. Certain keyboard shortcuts are universal across programs (and often platforms), and many of these have become second nature, just tripping off our fingers without a thought: Command/Ctrl-s to save, Command/Ctrl-c to copy, or Shift-Command-b (Mac) or Ctrl-b (Windows) to shift between bold and regular-weight faces.
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